JBL Studio Monitor 4208 USA Made Speaker

Made In USA

Frequency Response (±2 dB): 60 Hz - 20 kHz
Frequency Range (- 10 dB):  38 Hz - 21 kHz

Power Capacity:
(Continuous Pink Noise): 75 watts
(Peak Pink Noise): 300 watts
Sensitivity:  89 dB SPL, 1 watt (2.83 V) at 1 meter
Nominal Impedance: 8 ohms
Crossover Frequency:  2.6 kHz

Transducer Compliment: 200 mm (8 in) LF
                      25 mm (1 in) pure titanium dome
Finish:  Matte gray vinyl enclosure
Grille Color:  Gray
Dimensions:  451 x 286 x 229 mm
            17 3/4 x 11 1/4 x 9 in
Net Weight (each): 9.3 kg (20.5 lb)
Shipping Weight (pair):  21.8 kg (48 lb)



JBL 4200系列鑑聽喇叭, 近場鑑聽用, 廣為世界許多錄音室 廣播電台採用

我有4208, 用綜合管機推, 聲音很棒, 人聲帶有光澤, 爵士 搖滾 鋼琴 管樂 打擊樂器 都不錯, 第一次聽鬼太鼓和侏儸紀公園, 曾被它嚇了 一跳, 這小喇叭竟然發出如此之聲音, 您別小看它, 低頻量感充沛, 下潛夠深, 反應快, 動態大,頻率響應平坦, 聲音純正無音染, 無箱音, 正是鑑廳喇叭的標準




To provide maximum stereo imaging while reducing the potential for listener fatigue, the pure titanium dome tweeter and cone
transducer are aligned to deliver both high and low frequency information to the listening position at precisely the same instant




Not too long ago, small speakers placed atop the mixing console were largely chosen for one thing:
the “smallness” of their sound, i.e.their ability to duplicate the performance of the average home radio or car stereo.

In recent years, the quality of home hi-fi and automotive audio systems has continually improved and recording engineers have been
pushed to upgrade their consoletop monitors accordingly.
The search for the “ultimate” reference monitor was on. We took a hard look at this situation.

Today?s recording studio can be a complex multi-function music recording, film and video post production, or radio production
facility, or as simple as a 4-track studio in a bedroom or garage.

Modern technology has made it possible to generate top quality recordings in just about any studio environment.
As a result, no matter how simple or sophisticated the facility, it is clear that the monitor should be the very best it can be.

More and more critical listening occurs in the final mix, often making close proximity monitors more important than the mains.

With no apparent technical guidelines with which to judge prospective monitor loud-speakers, the field was wide open.
One thing, however, was very clear: many console-top monitors were initially designed for the livingroom and not the control room.

Until now. We launched our efforts from your point of view, literally from the position where most of your critical listening and mixing is done:

directly across from the mixing console. We interviewed a crosssection of recordists, ranging from known professionals in large production facilities to individual
songwriters who own compact MIDI studios. We took into account the various recording environments and noted their physical and acoustical characteristics.

With this information we were able to develop a list of design goals and define the methods by which we would achieve those goals.

In response, we developed the 4200 Series, console-top monitor models designed specifically for use in the near field.

Both the 165 mm (6.5 in) model 4206 and the 200 mm (8 in) model 4208 bring a new look, a new sound and a new standard to the multi-purpose studio
environment of today.


Starting with the unique MultiRadial TM sculptured baffle, 4200 Series monitors direct the axial output of the individual components
for optimum summing at the most common listening distance, approximately 1 to 1.5 meters (3 to 5 ft).

The Multi-Radial baffle also positions the transducers to achieve alignment of their acoustic centers so that low, mid and high frequency
information reaches your ears at the same point in time, resulting in superb imaging and greatly reduced phase distortion.

The curved surface of the injection molded ABS baffle serves to direct possible reflections of the shorter wavelengths away from the
listening position, virtually eliminating baffle diffraction distortion.

Vertical alignment of the transducers across the baffle center produces natural mirror-imaging.
A totally new 25 mm (1 in) pure titanium diaphragm high frequency transducer was developed for smooth, extended response.

The incorporation of JBL’s patented “diamond pattern surround” provides control over secondary resonances for virtually flat axial
response beyond the upper limits of human hearing. This new device features a uniquely shaped “lens” which acts as a mechanical filter to
balance energy output to within ±2dB to 20 kHz. Its magnet assembly is shielded to allow safe placement near magnetically sensitive equipment,

i.e. CRT’s, tape recorders, etc.

The low frequency components also feature magnetic shielding making the 4200 Series monitors ideal for use in video post production facilities as well as music
recording studios. The long, linear excursion design of the low frequency transducers results in smooth extended bass output with less distortion and power
compression than competitive systems.

Smooth transition from low to high frequency components is achieved through carefully engineered high complexity crossover networks.
Tight tolerances are maintained to achieve seamless summing and minimal distortion. There is one thing old fashioned about the all-new 4200 Series.

They’re the product of JBL’s legacy of listening. Listening to recording professionals, what they listen to and how they listen to it. The result of
nearly two years research, design and engineering effort has produced the remarkable 4200 Series, console-top monitors designed in the studio, for the studio.
These monitors offer exceptional sonic performance, incorporating technology and features typically associated with systems several times their price.



Price : RM 1280
Contact Simon Ting 012-3612507

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